Silent no more!
We’ve been quiet since our tour finished
mid-November, but not idle.
Most urgently, join our brand new group
on Facebook now to avoid missing
out on special updates!
http://www.facebook.com/group.php?gid=8660051051
Most exciting, Icarus now has five great productions in the lineup for
2008/2009. We’re presenting a season of new
work at the Old Red Lion Theatre and planning a MID-SCALE tour of Othello.
We have also begun collaborations with Original
Theatre Company to bring you a mid-scale tour of Vincent in Brixton in Spring 2009.
We’ll be holding auditions to these five shows beginning late
summer. Watch this space; we’ll tell you when to send in your CV.
We can now confirm that our production of The
Lesson, which went to 37 venues last year, is adding one more performance this year… in
Also, due to the stupidity of our telephone service provider, we’ve had
to change our phone number. It is now 0207 998 1562. Please update your records accordingly.
As always, visit www.icarustheatre.co.uk
for full details on our company. We should have a new website soon.
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The Lesson goes to
We’ve
toured across the South East.
We’ve
toured nationally.
We’ve
transferred to the Assembly Rooms in
We’ve
transferred to the Old Red Lion Theatre in
And now…
We’re
transferring to Teatrul de Comedie in
We have several people already traveling over especially to see us
in this exciting environment. Do let us know if you would like guidance
organizing a vacation of excellent theatre and vibrant culture in this growing
country.
Visit http://www.icarustheatre.co.uk/lessonshell.html
for more info on the show and to see all the great reviews we’ve
accumulated along the way.
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The London Season
by
Philip Ridley, Alexandra Helfrecht, and Grant Corr
directed by Max Lewendel and Alexandra Helfrecht
We have three exciting pieces of new writing premiering in 2008, beginning at
the Old Red Lion Theatre in October:
Moonfleece
by Philip Ridley brings the newest play by this revolutionary author into
Icarus’ repertoire. In co-production with brand new company,
Whippet Productions.
Nation of II
(TBC) by Alexandra Helfrecht is a shocking and comedic adaptation of Mother Night, Kurt Vonnegut's
revolutionary WWII novel which asks the question: “Are we what we pretend
to be?” In co-production with Axis of Evil Theatre Company.
Rip Her to Shreds
(TBC) by Grant Corr explores gender-identity and cross-dressing from the point
of view of a 17-year-old boy in Mena Town, Northern Ireland who wants to be
“Debbie Harry Gorgeous”.
Visit www.icarustheatre.co.uk/current_season.html
for more information.
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Two Mid-Scale tours!
We are in the Tour Booking stage of two epic tours in co-production with
Original Theatre Company. We have chosen Shakespeare’s most
riveting maritime tragedy, Othello: The Moor
of Venice and the Olivier Award winning Vincent in Brixton by Nicholas Wright. We already have
support from West Wing Arts Centre, South Hill Park Arts Centre, and many
others. We’re talking with Theatre Royal Haymarket and The Castle
about collaboration and fully expect to work with them closely, staging a
reading of Vincent in Brixton on
the Theatre Royal Haymarket main stage and collaborating in many ways on all
shows in our upcoming seasons.
Othello: The Moor of
by William Shakespeare
A tempestuous story from scandal and intrigue to lust and vengeance!
This version of Othello comes to you louder and clearer than any other in
recent memory.
Tackling subjects of racism, belonging and deception, our Othello elegantly references our modern
world where all sense of identity is turned topsy-turvy.
Using the sense of water and motion, Icarus sets Othello at sea near
Opens 23 September 2009 at
Vincent in Brixton
by Nicholas Wright
The year is 1873. A young art dealer called Vincent Van Gogh arrives at
Set in a working authentic kitchen, the smells, sights and sounds
of life in
As the allusions between life and art intensify, this story turns this into a
tragic parable about the ruthless flame of art consuming all in its path.
Opens 19 March 2009 at
Winner of 2003 Olivier Award for best new play
"One of the best new plays ever presented by the National Theatre", The Times
óóóóó The Independent
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Please note our
new phone number, 0207 998 1562.
Keep an eye out
on www.icarustheatre.co.uk; we
will have a brand new website soon!
Do we have your current contact information? Why not play it
safe and re-send any changes to email or address to us.
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See you soon!
All the best,
Max
P.S.: You are receiving this newsletter because you are a member of the Icarus
Theatre Collective's mailing list. If you no longer wish to receive
emails from us, please reply with the word "cancel" in the subject.
Max Lewendel
Artistic Director
Icarus Theatre Collective
NW1 6TL
0207 998 1562
www.icarustheatre.co.uk
Enter your details to receive free ticket offers and info on upcoming shows.
The Trials of Galileo by Nic Young
Fringe Review
Wandsworth
Edfringe.com
Three Weeks
Remotegoat
Public Reviews
Fringe Guru
Broadway Baby
ViewfromtheGods
British Theatre Guide
The Lesson Eugène Ionesco
or better
in 15 of 17 reviews
Out of all productions with a star rating in the last 3 years:
or better
in 36 of 45 reviews
The Lesson Eugène Ionesco
"Max Lewendel's production succeeds by the strength of its acting and the steadily increasing tension."
Jeremy Kingston, The Times
The Lesson Eugène Ionesco
"Directed so specifically that the beast of chaos that charges through Ionesco's work like his own rhinoceros is safely routed through the play."
Rebecca Banks, Ham & High
The Lesson Eugène Ionesco
"A daring production by an energetic new company, the London-based Icarus Theatre Collective, it pulls no punches in its visceral pursuit of pure absurdism."
Daniel Lombard,
South Wales Argus
The Lesson Eugène Ionesco
Premiul special al juriului
Special Jury Prize:
Cash prize from Romania
The Lesson Eugène Ionesco
Premiul pentru cea mai buna actrita ín rol principal
Best Actress in a Leading
Role: Amy Loughton
Coyote Ugly by Lynn Siefert
"Scarlet, a wild 12-year-old, like a coyote bitch on heat".
John Thaxter, What's On
Journey's End
by R.C. Sherriff
The Times
The Scotsman
Manchester Eve News
Macbeth
by William Shakespeare
With sword, axe, spear and bare fist fighting it is an impressively energetic and dynamic production.
Victoria Claringbold, Remotegoat
The Trials of Galileo
by Nic Young
Icarus Theatre fly into London on waxen wings, which, after this compelling production, show no sign of melting any time soon.
Edwin Reis, Remotegoat
Spring Awakening
by Frank Wedekind
Nigh-on Faultless. The cast are, one and all, magnificent.
Roderic Dunnett, Behind the Arras
Macbeth
by William Shakespeare
"Max Lewendel's production is fast-paced and pulls the audience straight in... Outstanding".
Von Magdalena Marek, Newsline
Macbeth
by William Shakespeare
"Particularly haunting is the piece because of the use of music and sounds, designed by Theo Holloway. The effect is outstanding".
Von Magdalena Marek, Newsline
Macbeth
by William Shakespeare
"Max Lewendel's production is fast-paced and pulls the audience straight in... Outstanding".
Von Magdalena Marek, Newsline
Macbeth
by William Shakespeare
"The play explodes into action with a high-powered fight sequence using real swords, axes and spears that superbly captured the intensity of battle".
Robin Strapp, British Theatre Guide
Coyote Ugly by Lynn Siefert
"The five-member cast fill the dim confines of the theatre like a desert storm".
Le Roux Schoeman,
Church of England Newsletter
Coyote Ugly by Lynn Siefert
"This sexy, steamy drama really hits home, especially after delivering the scorpion sting in its tail".
Philip Fisher,
British Theatre Guide
The Lesson Eugène Ionesco
"Comedy, tragedy, fear, mystery, sex, violence, disturbance: The Lesson has them all".
Eleanor Weber,
Raddest Right Now
The Lesson Eugène Ionesco
"It is impossible not to enjoy Icarus Theatre Collective’s production of Ionesco’s one-act play".
The Stage
Coyote Ugly by Lynn Siefert
"The cast navigates the perilous emotional terrain with aplomb".
Visit London (Totally London)
Coyote Ugly by Lynn Siefert
"Sizzling bursts of desire and hate among the North American sands".
Timothy Ramsden,
Reviews Gate
Albert's Boy
by James Graham
"Extraordinary...
Victor Spinetti is outstanding."
Cheryl Freedman,
What's On in London
The Lesson Eugène Ionesco
"The Icarus Theatre collective's production of Eugène Ionesco's absurdist masterpiece is brilliant. A fast-paced, sixty-five minute screaming journey from a bare classroom into utter chaos."
Kevin Hurst, Extra! Extra!
Many Roads to Paradise
by Stewart Permutt
"You would pay a lot of money in the West End for a class act like this, so why not pop along to the Finborough and find out what great nights are made of."
Gene David Kirk,
UK Theatre Web
The Time of Your Life
William Saroyan
"Book as soon as possible!"
-Claire Ingrams,
Rogues & Vagabonds
The Time of Your Life
William Saroyan
"This is the kind of consoling play we need right now."
-Jane Edwardes, Time Out
Romeo & Juliet
William Shakespeare
"A rollercoaster rendering of the play that dragged the audience on a fast-paced soul-stirring ride for two heart-rending hours."
Romeo & Juliet
William Shakespeare
"An excellent take on a globally-renowned tale of true love."
Romeo & Juliet
William Shakespeare
"Props to Icarus Theatre Collective for putting on such a fantastic show."
Romeo & Juliet
William Shakespeare
"A fresh and invigorating version of this time-honoured romantic tragedy."
Darlington & Stockton Times - Christina McIntyre
The Time of Your Life
William Saroyan
"Fine performances from the 26-strong cast."
-Michael Billington, The Guardian
The Lesson Eugène Ionesco
"You can reach out and touch the emotional atmosphere."
-Julienne Banister,
Rogues & Vagabonds
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