|
|||||||||||||||||||||||
|
A most engaging and entertaining performance, with a remarkable emotional range displayed. Bravo
Fabulous gripping one man show with brilliant sound and light effects.
A very engrossing one man play, on one of H P Lovecrafts short stories. It was gripping from the start, with interaction via the radio, lighting and mist left you in the middle of the story.
Quite different but very well presented. Tim Hardy brilliant. Also sound and lighting Minimal props but great effect
Tim Hardy's performance and the sound were excellent. Once I managed to suspend disbelief about Antarctica "not being like that", the play was riveting. H P Lovecraft's novella was written in the 1930s, so it's possible that eighty years ago the audience was have been more receptive to the now rather incredible plot. It seemed to be a mash-up of an early Dr Who, Lost - and, for me, the Elgin Marbles, as the numerous references to sculptures kept bringing these to mind!
A harrowing tale of fantastical wonders and creeping madness, based on the tales of H.P. Lovecraft. The main actor did a fantastic job orating the story, pulling you into the frozen worlds of the Antarctic and using only his words to describe incredible sights no stage scenery or imagery could ever hope to reproduce better than your own imagination. Tension was built well by well timed use of sound effects and lighting, however the critical moments involved a crescendo of sound so loud it was difficult to hear what was happening, and when we are reliant purely on the description of the narrator I found this took away some of the tension. The set was minimalistic but what was there was used to great effect. The final moment (final word) of the show required some further reading for me as it wasn't clear what relationship this word had with the rest of the piece, however some googling confirmed my suspicions and also got me reading more about H. P. Lovecraft so no complaints there!
Excellent performance by solo actor. Lighting and sound produced desired effect/mood. Very glad I attended but subject matter not entirely to my liking - my problem and doesn't reflect on the performance or the event.
Atmospheric, chilling drama. Superb acting. Really enjoyed discussion with team after the play.
A great story of a doomed expedition to the Antarctic in the 1930's. A superb performance from the lead and only actor who built the atmosphere of impending disaster very well.
Terrific acting and a wonderful use of lighting and sound created an atmospheric production very much in keeping with Lovecraft's original work.
Compelling story-telling with images that stay with you for long after
Very well done but not punchy enough for me.
Amazing performance by Tim Hardy, but we prefer more of a plot
Very good. Electronic recording uses was muffled, and I had some trouble hearing it.
‘At The Mountains Of Madness’ was both fascinating and extremely gripping with a superb performance from Tim, I loved it and so did the audience. Well done and thank you! Superbly delivered by the whole team. The audience (and myself) were completely gripped throughout. Well done! I wish you the very best with it at future venues.
-Brian Kirk, Yvonne Arnaud Theatre
The show was marvellous! The audience loved it.
-Old Courthouse Theatre
Best show ever here!
-Atlantic Arts Centre
An amazing performance, as a pragmatic realist any 'science fiction' or similar theme is traditionally uncomfortable. Arriving with a deliberately 'open mind' I was comprehensively transported to a conceptual possibility that became a temporary reality. Total excellence!
-Anonymous, 24th February, Queen's Hall, Hexham
My husband attended the stage adaptation of At The Mountains of Madness last night at the Byre Theatre and said it was excellent. The acting, lighting and sound stage were very professional and the translation from book to stage a delight. Highly recommended and, hopefully, not the last Lovecraft adaptation they produce!
-Cheryl McKenzie
I was fortunate enough to see you perform the one man show of At The Mountains of Madness in Chesterfield last night. I'm afraid that I'm one of those long-term fans of H. P. Lovecraft, in my case first reading his works when I was at school, and still reading them now. I even visited his grave a couple of years ago. I confess I had low expectations of the show as I thought it was a particularly 'dense' story to adapt (a sentiment echoed by my friend Angela in the Q&A, coincidentally). I was very happy to be proved wrong, with a wonderfully paced and perfectly delivered narrative, building steadily towards a suitably nerve-jangling climax. I would love to think The Old Man of Providence would have approved of it.
Many thanks for the highly enjoyable evening.
-Mike Jarvis
Really atmospheric and the whole of the audience were transfixed by the story being told. The production was truly amazing and we all enjoyed it very much. It was mesmerising
-John Macmenemey
May I just say that I thought 'At The Mountains Of Madness' was superb: Tim's performance reminded me of Andrew Keir playing a traumatised Quatermass, and the gradual build up of tension and terror of the original book was brilliantly realised. I read the story over thirty years ago originally, but I re-read it in a tent out on the ice on a climbing expedition to Greenland: the lighting effects and Tim's evocation of the Antarctic made me feel magically chilled and the stage literally became an ice-sheet, one of the best stage effects I've ever seen. The use of the radio for dialogue was inspired. I have the HPLHS audio version of the story, which is good but your approach was far more effective, I think.
Anyway, it was a fantastic adaptation and all involved are to be congratulated :-)
-Darren Partridge
"At the Mountains of Madness" at the Sarah Throne yesterday. Gripping, spellbinding and very, very chilling. A great adaptation the wrought Lovecraft's sometimes overflorid prose into a sharper narrative. Atmospheric lighting and sounds, and absorbing, engaging acting. Bravo!
-Mike Dellor
Just writing to say I throughly enjoyed last night's presentation.
Atmospheric, multi-layered and gripping.
Thank you very much.
-Mark McKeown, Hyperstation
Pete Cardinal Cox 28 Apr Very much enjoyed last night's performance of At The Mountains of Madness, even the weather was trying to get us in the mood with the hail. Now looking forward to listening to the CD version...
Christian Liberman reviewed Icarus Theatre Collective
March 19 at 7:41pm
Awesome portrayal of H.P. Lovecraft's 'At the Mountains of Madness'.
So enjoyable in fact I've seen it twice (at Guildford's 'Yvonne-Arnaud' theatre and Clapham's 'Omnibus' theatre), and no doubt will be seeing it again if the tour continues for some time smile emoticon
Thank you Tim and Max - I spoke briefly with you both at Omnibus, but once again thank you smile emoticon Thanks also to Theo (whom I saw in the Rehersal Interview youtube video) for having the initial idea to bring this story to the stage, and thanks to all else involved. It really was a wonderful production of a story I love and that has been very influential for me.
Today I also listened to the CD version I purchased at Omnibus, and it's very pleasing that I can relive this adaptation at any time
Cheryl McKenzie reviewed Icarus Theatre Collective
March 13
My husband attended the stage adaptation of At The Mountains of Madness last night at the Byre Theatre and said it was excellent. The acting, lighting and sound stage were very professional and the translation from book to stage a delight. Highly recommended and, hopefully, not the last Lovecraft adaptation they produce!
Chris Halliday to Icarus Theatre Collective
May 14 at 11:33pmBristol Saw At The Mountains Of Madness in Chippenham on Friday and was utterly blown away. An amazing performance and a seriously impressive staging. Why this show isn't being staged in Bristol - where it would have been packed out - is beyond me. I'm thrilled to have caught this fantastic adaptation!
Laurynas Zubrickas I loved the performance and the production of the play, kept me trying to piece the story together until the very end.
Adrian Knight Excellent performance. Well done to all involved smile emoticon
Adrian Magowan Just in from the show, top class performance.
John Nicholson We saw At The Mountains of Madness on Saturday in St Andrews. The show was excellent we loved the way that the story was told.
Dave Nicholson Really enjoyed this tonight. Great acting, sound and lighting. Very well done.
John Breakwell Great show tonight. Really enjoyable and evocative.
Steve Switzer Saw this at enfield ... really enjoyed it a great interpretation of lovecrafts classic
Stephen J. Clark 24 Feb Thoroughly enjoyed 'At the Mountains of Madness' in Hexham tonight. Very inventive; adding texture to a great performance. Really brought the story to life again
|
Enter your details to receive free ticket offers and info on upcoming shows.
The Trials of Galileo by Nic Young
Fringe Review
Wandsworth
Edfringe.com
Three Weeks
Remotegoat
Public Reviews
Fringe Guru
Broadway Baby
ViewfromtheGods
British Theatre Guide
The Lesson Eugène Ionesco
or better
in 15 of 17 reviews
Out of all productions with a star rating in the last 3 years:
or better
in 36 of 45 reviews
The Lesson Eugène Ionesco
"Max Lewendel's production succeeds by the strength of its acting and the steadily increasing tension."
Jeremy Kingston, The Times
The Lesson Eugène Ionesco
"Directed so specifically that the beast of chaos that charges through Ionesco's work like his own rhinoceros is safely routed through the play."
Rebecca Banks, Ham & High
The Lesson Eugène Ionesco
"A daring production by an energetic new company, the London-based Icarus Theatre Collective, it pulls no punches in its visceral pursuit of pure absurdism."
Daniel Lombard,
South Wales Argus
The Lesson Eugène Ionesco
Premiul special al juriului
Special Jury Prize:
Cash prize from Romania
The Lesson Eugène Ionesco
Premiul pentru cea mai buna actrita ín rol principal
Best Actress in a Leading
Role: Amy Loughton
Coyote Ugly by Lynn Siefert
"Scarlet, a wild 12-year-old, like a coyote bitch on heat".
John Thaxter, What's On
Journey's End
by R.C. Sherriff
The Times
The Scotsman
Manchester Eve News
Macbeth
by William Shakespeare
With sword, axe, spear and bare fist fighting it is an impressively energetic and dynamic production.
Victoria Claringbold, Remotegoat
The Trials of Galileo
by Nic Young
Icarus Theatre fly into London on waxen wings, which, after this compelling production, show no sign of melting any time soon.
Edwin Reis, Remotegoat
Spring Awakening
by Frank Wedekind
Nigh-on Faultless. The cast are, one and all, magnificent.
Roderic Dunnett, Behind the Arras
Macbeth
by William Shakespeare
"Max Lewendel's production is fast-paced and pulls the audience straight in... Outstanding".
Von Magdalena Marek, Newsline
Macbeth
by William Shakespeare
"Particularly haunting is the piece because of the use of music and sounds, designed by Theo Holloway. The effect is outstanding".
Von Magdalena Marek, Newsline
Macbeth
by William Shakespeare
"Max Lewendel's production is fast-paced and pulls the audience straight in... Outstanding".
Von Magdalena Marek, Newsline
Macbeth
by William Shakespeare
"The play explodes into action with a high-powered fight sequence using real swords, axes and spears that superbly captured the intensity of battle".
Robin Strapp, British Theatre Guide
Coyote Ugly by Lynn Siefert
"The five-member cast fill the dim confines of the theatre like a desert storm".
Le Roux Schoeman,
Church of England Newsletter
Coyote Ugly by Lynn Siefert
"This sexy, steamy drama really hits home, especially after delivering the scorpion sting in its tail".
Philip Fisher,
British Theatre Guide
The Lesson Eugène Ionesco
"Comedy, tragedy, fear, mystery, sex, violence, disturbance: The Lesson has them all".
Eleanor Weber,
Raddest Right Now
The Lesson Eugène Ionesco
"It is impossible not to enjoy Icarus Theatre Collective’s production of Ionesco’s one-act play".
The Stage
Coyote Ugly by Lynn Siefert
"The cast navigates the perilous emotional terrain with aplomb".
Visit London (Totally London)
Coyote Ugly by Lynn Siefert
"Sizzling bursts of desire and hate among the North American sands".
Timothy Ramsden,
Reviews Gate
Albert's Boy
by James Graham
"Extraordinary...
Victor Spinetti is outstanding."
Cheryl Freedman,
What's On in London
The Lesson Eugène Ionesco
"The Icarus Theatre collective's production of Eugène Ionesco's absurdist masterpiece is brilliant. A fast-paced, sixty-five minute screaming journey from a bare classroom into utter chaos."
Kevin Hurst, Extra! Extra!
Many Roads to Paradise
by Stewart Permutt
"You would pay a lot of money in the West End for a class act like this, so why not pop along to the Finborough and find out what great nights are made of."
Gene David Kirk,
UK Theatre Web
The Time of Your Life
William Saroyan
"Book as soon as possible!"
-Claire Ingrams,
Rogues & Vagabonds
The Time of Your Life
William Saroyan
"This is the kind of consoling play we need right now."
-Jane Edwardes, Time Out
Romeo & Juliet
William Shakespeare
"A rollercoaster rendering of the play that dragged the audience on a fast-paced soul-stirring ride for two heart-rending hours."
Romeo & Juliet
William Shakespeare
"An excellent take on a globally-renowned tale of true love."
Romeo & Juliet
William Shakespeare
"Props to Icarus Theatre Collective for putting on such a fantastic show."
Romeo & Juliet
William Shakespeare
"A fresh and invigorating version of this time-honoured romantic tragedy."
Darlington & Stockton Times - Christina McIntyre
The Time of Your Life
William Saroyan
"Fine performances from the 26-strong cast."
-Michael Billington, The Guardian
The Lesson Eugène Ionesco
"You can reach out and touch the emotional atmosphere."
-Julienne Banister,
Rogues & Vagabonds
Site Design by cherrybranchdesign.com © 2008